Gluck: Orfeo ed Euridice
With the Yorke Trust Festival Orchestra and Soloists conducted by Adam Johnson, directed by Jennifer Hamilton.
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Bach: St. Matthew Passion
When Bach sets one of the world's best-known stories to music, a monumental and quasi-theatrical work is presented to listeners. Imbued with piety as well [...]
Sciarrino: Luci mie traditrici
The last of three "Eyes" performances for the National Opera Ukraine presents the Ukrainian premiere of "Luci mie traditrici" by Salvatore Sciarrino. Libretto by the [...]
Rossini: Petite Messe Solennelle
Tender feelings, intellectual decadence and the aftermath of the revolution: the last composition by Italian opera authority Rossini seems to manifest itself as a symbol [...]
BAM! Selbstauslöser
Johannes Kreidler pursues a concept of music expanded into multimedia. In an oftentimes double-edged and provocative manner, his works question music for its confinements in [...]
Acis & Galatea with Le Maschere Galanti
Acis and Galatea was Handel’s most popular stage work during his lifetime, and arguably ever since. He made versions in two and three acts and [...]
Ødipus REC. with The Navidsons
How much insight is possible in a world where we are constantly confronted with pictures? Are we blinded by the constant flow of visual information? [...]
OPERA, OPERA, OPERA! REVENANTS AND REVOLUTIONS
Our times appear to be a sheer endless present – a continuing state of crisis, where the future is perceived more as a threat than [...]
BTHVN2020: ELEONORE - Ich muss nicht glücklich sein
Befreiungsoper „Ich kann noch glücklich sein“ - singt Leonore in Beethovens Oper FIDELIO. Diese einzige A Capella - Phrase ist der Ausgangspunkt einer radikalen Befragung [...]
From Heaven above to Earth I come – The RSB Christmas Concert
with Vladimir Jurowski Programme Johann Sebastian BachMagnificat D-Dur BWV 243 für Soli, Chor und Orchester (mit vier weihnachtlichen Einlagesätzen) Igor Stravinsky“Vom Himmel hoch, da komm [...]