“Radiant Power and Emotion”

– The Telegraph, 09/2015


September 2021: Concert & Release Party with Berlin’s Solistenensemble Phønix16

December 2021: Bach’s Magnificat with L’Harmonie des Saisons at the Montreal Bachfest

June 2022: Oxford Spacebase – A site-specific work at the Oxford Barracks Münster

on stage


Highlights of Michael’s wide-ranging operatic repertoire include Goffredo (RINALDO), Tolomeo (GIULIO CESARE), Corindo (L’ORONTEA), Pisandro (IL RITORNO D’ULISSE IN PATRIA), Orfeo (ORFE ED EURIDICE), Artemis (PHAEDRA), L’Ospite (LUCI MIE TRADITRICI), Prince Go-Go (LE GRAND MACABRE) and Oberon (A MIDSUMMERNIGHT’S DREAM). 


Michael made his debut at the Lincoln Center in New York as a soloist in Handel’s Messiah with the Grammy-Nominated Trinity Choir & Baroque Orchestra. , in London’s Cadogan Hall in the title role of Hasse’s Demetrio with Opera Settecento, and in Izumi Hall Osaka as a soloist in Bach’s St. Matthew Passion

For Press

We work closely with local media to ensure all events are covered and we encourage reporters to attend our events and to interview our musicians privately. We provide advance information, press passes, and free translation services whenever there is a language barrier.

in the press

Gramophone magazine

countertenor Michael Taylor dominates the proceedings by the sheer seductive beauty of his approach” (2018)

THE Telegraph: “☆☆☆☆”

“countertenor Michael Taylor [showing] radiant power and emotion as Adriano” (Adriano in Siria, 2016)

Brigit O’Neill

“While on tour, we received an invitation to record a song for free at Wedge and absolutely fell in love with the studio. We ended up recording our entire new album there.

Acoustic Quarterly

“Given its quick expansion, popularity, and quality recordings, Wedge Records has received second place in our Studio of the Year contest.